Selected technique in rectilinear warp face in which the technique of counting of the warp threads is by pair 2|2, with the use of two wefts, so as to have two clear faces in the cloth.
Technique between elected and reselected warp face in which the colours and manipulated in blocks in a chequerboard pattern, with light and dark colours alternating.
Technique between selected and reselected with rectilinear warp face in which the colours are manipulated in blocks in a chequerboard pattern, with light and dark colours alternating, and in which the warp threads are counted in fours 4|4.
Technique between selected and reselected in warp face in which the colours are manipulated in blocks in a chequerboard pattern, with light and dark colours alternating, and the warp threads are counted by basic odd, 1|1.
Technique between selected and reselected in warp face in which the colours are manipulated in blocks in a chequerboard pattern, with light and dark colours alternating, and the warp threads are counted by derived odd 2|1.
Technique between selected and reselected in warp face in which the colours are manipulated in blocks in a chequerboard pattern, with light and dark colours alternating, and the warp threads are counted by derived odd 2|1, with the use of two wefts.
Technique between selected and reselected in warp face in which the colours are manipulated in blocks in a chequerboard pattern, with light and dark colours alternating, and the warp threads are counted by derived even 2|2.
Technique between selected and reselected in warp face in which the colours are manipulated in blocks in a chequerboard pattern, with light and dark colours alternating, and the warp threads are counted by three 3|3.
Rectilinear warp faced technique aimed at the structural manipulation of the warp threads. It includes the variants of discontinuous warp, and discontinuous warp and weft. These techniques demand the use of a loom with additional cross poles or alternatively the use of rods of wood or metal to support the places of discontinuity in the warp and weft.
Rectilinear warp faced technique centred on the manipulation of the warp in two halves, or even more blocks, so as to make use of the changes in colour in the same warp layer. These techniques demand the use of a loom with additional cross poles or alternatively the use of rods of wood or iron to support the places of discontinuity in the warp.
Rectilinear warp faced technique centred on the manipulation of the warp in two halves, or even more blocks, so as to make use of the changes in colour in the same warp layer. These techniques demand the use of a loom with additional cross poles or alternatively the use of rods of wood or iron to support the places of discontinuity in the warp and weft.
Method of working the loose elements of a single ensemble which are elaborated on the base of a weft. These techniques are used, for example in the elaboration of fringes, in which the extensions of the weft (or warp). There are many varities of these techniques according to the type of knot, the density and direction of its turns (e.g. the doubly tied knot). The techniques of interknotting are also called macramé, a term with Arab origins meaning 'fringes', especially a fringe of knotted strands. By extension the term macramé also refers to any structure with a set of elements without differentiation that are worked through knotting.
Rectilinear warp face technique in which the intercalation of colours is emphasised, whether in the same row (k'uthu ladder) or in different rows (patapata ladder). The k'uthu are techniques that are applied to the structure, and the patapata ladder is organised in rows without the application of an additional technique. The k'uthu have variants where the count is by odd numbers (ch'ulla) that is by 1,3,5,7,9, etc, and by even (paris) where the count is 2,4,6,8, etc. There are also variants flanked by narrow coloured stripes (sirq'u) and with an pixillated or sunflower effect (ch'ixch'i). Both types of ladder technique have plain variants (inu) that derive from 1 or 2 warp layers, and complex ones (apsu) that derive from 3 to 8 warp layers.
Rectilinear warp faced textile technique that derives from of warp structure of 1 or 2, in which the intercalation of different contrasting colours occurs in different weft rows, and in which each row is of a single colour.
Rectilinear warp faced textile technique which is constructed on the base of colours ordered by rows of contrasting colours, after which the selection technique is applied with odd and even count of the warp threads, in order to create figures.
Rectilinear warp faced textile technique constructed on the base of colours, ordered by rows of contrasting colours, after which selection technique is applied with an odd count of warp threads to generate figures.
Rectilinear warp faced textile technique constructed on the base of colours, ordered by rows of contrasting colours, after which selection technique is applied with an odd count of warp threads to generate figures. In this case only a single weft is used.
Rectilinear warp faced textile technique constructed on the base of colours, ordered by rows of contrasting colours, after which selection technique is applied with an even count of warp threads to generate figures.
Rectilinear warp faced textile technique constructed on the base of colours, ordered by rows of contrasting colours, after which selection technique is applied with a general even count of warp threads to generate figures.
Rectilinear warp faced textile technique constructed on the base of colours, ordered by rows of contrasting colours, after which selection technique is applied with an odd count of warp threads to generate figures. In this case only a single weft is used.
Rectilinear warp faced textile technique constructed on the base of colours, ordered by rows of contrasting colours, after which selection technique is applied with an even count of warp threads to generate figures. In this case only a single weft is used.
Rectilinear warp faced textile technique constructed on the base of colours, ordered by rows of contrasting colours, after which selection technique is applied with an even count of warp threads 2|2, to generate figures.
Rectilinear warp faced textile technique constructed on the base of colours, ordered by rows of contrasting colours, after which selection technique is applied with an even count of warp threads 2|2, to generate figures. In this case only a single weft is used.
Rectilinear warp faced textile technique constructed on the base of colours, ordered by rows of contrasting colours, after which selection technique is applied with an even count of warp threads 2|2, to generate figures. In this case a single wrapping weft is used.
Rectilinear warp faced textile technique constructed on the base of colours, ordered by rows of contrasting colours, after which selection technique is applied with an even count of warp threads to generate figures. In this case only a single weft is used.